Workshop shelves stacked with thrown cups, bowls and jars before and after firing

Chiang Mai and Lampang, Thailand

Ceramic provenance: the thrower, the glaze and the kiln firing, on one record.

We record each piece from the wheel through the glaze and the kiln firing to the buyer, so a collector knows who made it and which firing it came out of.

pim@kilnmark.website

The firing curve of one piece

Throw

The piece is recorded with its thrower and clay batch.

Glaze

The glaze batch and the glazer are logged.

Fire

The firing curve is attached to the piece.

Sell

The buyer receives the record with the piece.

Gallery labels for every piece

No. 1

Thrower record

The thrower's name, the clay batch and the date of throwing are written before the piece leaves the wheel.

No. 2

Firing log

Kiln temperature curves and any failed firing are kept against each piece.

No. 3

Collector page

A buyer sees the full line for the piece, including any repair.

Potter's hands centring clay on a turning wheel
Stacked hand-painted blue and white ceramic bowls

Collectors and studios ask

Do you authenticate signatures?

No. We record the thrower the studio names. The studio stands behind that line.

What happens to a failed firing?

It is recorded as failed and the piece is not sold with a firing line.

Can a piece be repaired?

Yes. Repairs are added as lines and do not replace the original record.

Marking fees per month

USD 234.00